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dc.contributor.authorSmith, Jay
dc.date.accessioned2024-01-02 21:45:10 (GMT)
dc.date.available2024-01-02 21:45:10 (GMT)
dc.date.issued2024-01-02
dc.date.submitted2023-12-15
dc.identifier.urihttp://hdl.handle.net/10012/20202
dc.description.abstractLoki, a prominent Norse god and more recently prominent Marvel character, is entwined with an understanding of liminal queerness. Part of the broader notion of liminal queerness is its relationship to questions of identity and the self. This paper explores two divergent texts, 2014-2015’s Loki: Agent of Asgard and 2021’s Loki streaming series, that take that concept in different directions, creating a broader understanding of liminal queerness and its place in narrative spaces. The broader natures of the respective texts’ narrative, medium, and genre elements all frame and modify discussions of liminality and queerness around a given text. This modulation around the theme between two texts helps build a more complete image of how liminal queerness is entwined with Loki and what that means for liminally queer identities in broader structures.en
dc.language.isoenen
dc.publisherUniversity of Waterlooen
dc.subjectqueer theoryen
dc.subjectcomic studiesen
dc.subjectfilmen
dc.subjectpopular mediaen
dc.subjectliminalityen
dc.subjectmediumen
dc.subjectLokien
dc.subjectgenreen
dc.titleRepresentational Queerness Within Marvel’s Loki: Liminality through Identity, Genre, and Mediumen
dc.typeMaster Thesisen
dc.pendingfalse
uws-etd.degree.departmentEnglish Language and Literatureen
uws-etd.degree.disciplineEnglish (Literary Studies)en
uws-etd.degree.grantorUniversity of Waterlooen
uws-etd.degreeMaster of Artsen
uws-etd.embargo.terms0en
uws.contributor.advisorWiens, Brianna
uws.contributor.affiliation1Faculty of Artsen
uws.published.cityWaterlooen
uws.published.countryCanadaen
uws.published.provinceOntarioen
uws.typeOfResourceTexten
uws.peerReviewStatusUnrevieweden
uws.scholarLevelGraduateen


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